Tuesday, April 5, 2022
HomeCameraPanasonic Lumix GH6 Evaluation | Images Weblog

Panasonic Lumix GH6 Evaluation | Images Weblog



Introduction

The Panasonic Lumix GH6 is a flagship Micro 4 Thirds sensor mirrorless digicam aimed toward each videographers and stills photographers.

Successor to the favored GH5 and GH5 II cameras, this 2022 mannequin now options as much as 5.7K 60p 10-bit inner video with limitless recording and Apple ProRes 422 HQ help, a model new 25.2 megapixel sensor with no low-pass filter, and the newest high-speed and high-performance Venus Engine.

Different key new enhancements embody an up to date contrast-detect autofocus system with a brand new AF algorithm and 315 focus factors, expanded ISO vary of 50-25600, twin CFexpress card (Sort B) and UHS-II V90 SD reminiscence card slots, improved Twin I.S. (Picture Stabiliser) now price as much as 7.5-stops slower shutter velocity, and 75fps burst taking pictures mode at full 25 megapixel decision (AF-S mode solely).

The splash- and dust-proof GH6 additionally gives built-in Wi-Fi and Bluetooth connectivity, 1/8000th high shutter velocity, 1/250th second flash sync velocity, 1,728-zone metering system, a 3,680K-dot OLED digital viewfinder with 120fps body charge, a 1.84M pixel 3-inch swivelling and tilting LCD display, touchscreen management system with touch-based capabilities like Contact AF/AE and Contact Shutter, a very silent digital shutter, help for USB-C charging and 14 (AFS) / 8 (AFC) fps burst taking pictures.

The Panasonic Lumix GH6 is made in China. It is out there now in black solely, priced at £1999 / $2199 physique solely, £2199 with the usual 12-60mm f3.5-5.6 lens, and £2599 / $2799 with the Leica 12-60mm f/2.8-4.0 lens.

Ease of Use




Panasonic Lumix GH6

Measuring 138.4 x 100.3 x 99.6mm / 5.45 x 3.95 x 3.92in. and weighing 739g / 1.63lb physique solely, the Panasonic Lumix GH6 is considerably bigger and heavier than the GH5 II mannequin that it successfully succeeds, which measures 138.5 x 98.1 x 87.4mm and weighs 647g.

That is largely as a result of heat-sink and forced-cooling fan mechanism that Panasonic have built-in into the design of the GH6, which helps to offer impressively limitless recording occasions in each out there video mode that the digicam gives.

The draw back is that the digicam is noticeably deeper than the GH5/II by 12mm, one thing that’s significantly evident within the rear LCD display space which protrudes fairly a great distance out from the again of the digicam.

The GH6’s physique is made out of magnesium alloy, with a full die-cast entrance and rear body. Each joint, dial, and button is sealed to make sure that the GH6 is splash/dust-proof and likewise freeze-proof right down to -10 levels Celsius.

The digicam has a shutter launch lifetime of 200,000 photographs. As with the earlier GH5 and GH5 II fashions, this is likely one of the most well-constructed Panasonic cameras that we have ever reviewed, and will stand as much as some critical abuse.

The GH6 ships both physique solely, with the Panasonic 12-60mm f3.5-5.6 lens, or with the wonderful Leica 12-60mm f/2.8-4.0 lens that we reviewed it with.

Regardless of the quick most apertures on supply, the Leica 12-60mm optic continues to be comparatively small and lightweight, and delivers nice picture high quality while being quick to focus and utterly silent, excellent for video use.

Whereas optionally available battery grips had been out there for the earlier GH5 and GH5 Mark II fashions, Panasonic have taken the fairly unusual resolution to not make one for the brand new GH6. So there isn’t any method to home an additional battery to increase the general battery life or make the digicam greater for higher dealing with with longer, heavier lenses.




Panasonic Lumix GH6

Panasonic have as soon as once more considerably upgraded the picture stabilisation system on the GH6. The Twin I.S. system incorporates a brand new tremendous high-precision gyro sensor with a brand new algorithm to mix the 2-axis stabilisation from the lens (if it has OIS built-in) and 5-axis stabilisation from the digicam physique, leading to compensation for as much as 7.5-stops slower shutter velocity, which impressively is 1 cease higher than the already glorious GH5 II.

In contrast to a traditional DSLR digicam, or certainly most trendy rival mirrorless cameras, which generally use a part detection auto-focus system, the Panasonic Lumix GH6 continues to make use of a distinction detection primarily based AF system, just like that extra generally utilized by compact cameras.

The Panasonic GH6 continues to make use of the identical DFD contrast-based auto-focusing system that every one earlier GH-series cameras have employed – anybody anticipating Panasonic to implement phase-detection on this new mannequin will probably be sorely upset.

It does supply extra AF areas although, elevated from 225 on the earlier GH5 collection cameras to 315 AF factors on the GH6. Additionally Panasonic have up to date their AF algorithms to supply sooner efficiency and fewer seen pulsing than earlier than.

There are a variety of AF modes on supply, together with Monitoring, Full Space, Zone (Horz/Vert), Zone , 1-Space+, 1-Space and Pinpoint, with the choice to allow the Human Detection, Face/Eye Detection and Animal+Human Recognition auto-focusing algorithms for each AF mode besides Pinpoint.

In apply, there have been few events when the GH6 did not lock onto the topic, particularly when utilizing the centre AF level, leading to a usually responsive and importantly dependable AF system for many topics.

Having stated that, it did battle a bit of extra usually than desired with erratic, fast-moving topics similar to sports activities and wildlife, and it undoubtedly nonetheless lags behind the very best phase-detect AF programs from different mirrorless digicam producers.

On the entrance of the Panasonic Lumix GH6 is a small focus-assist and self-timer indicator lamp, lens launch button, two customisable unmarked Operate buttons, metallic lens mount and a flash sync socket.




Panasonic Lumix GH6

Model new to the GH6 is a second, further one-touch film document button completed in a vibrant pink which is ideal for utilizing with the digicam in portrait orientation.

A direct consequence of the GH6’s dimension improve is the sculpted, rubberised hand-grip that is even deeper and subsequently nicer to make use of than the one on the GH5 cameras. It is simply large enough to suit three, if not 4, fingers round it.

By default the Fn4 button (the upper one on the entrance) enlarges the Dwell Show throughout video recording while the decrease Fn3 button cleverly toggles between exhibiting a dwell preview of the consequences of the present aperture (successfully a digital model of Depth of Subject Preview) and the present shutter velocity.

The latter proves particularly helpful for freshmen, offering a visual manner of checking how totally different shutter speeds will have an effect on the seize of various topics – working water is an efficient instance.

The vast majority of the GH6’s exterior is matt black plastic, with the handgrip, entrance panel and left-hand compartments completed in a extra tactile rubberised coating.

Discovered on high of the Panasonic GH6 are the burst mode/bracketing/self-timer/time-lapse dial on the left, exterior flash hotshoe, stereo microphones, lockable taking pictures mode dial surrounded by the on/off change, shutter launch button, entrance and rear management dials, white steadiness, ISO and publicity compensation buttons, audio data button and a big one-touch film document button that is brilliant pink. There’s additionally a tiny LED to point if wi-fi is on or off or if USB charging is in operation.

The row of white steadiness, ISO and publicity compensation buttons make it extraordinarily straightforward to entry the digicam’s key publicity controls, whereas the twin management dials make it easy to make use of the totally Handbook taking pictures mode.

The native ISO vary of each the GH5 II and the GH6 is 100-25,600, however on the GH6 it may be prolonged right down to ISO 50 if required for each stills and video. Notice that for video, the utmost stage is 12800 ISO on each cameras.




Panasonic Lumix GH6

The GH6 has each a conventional mechanical shutter and a silent digital shutter, which in addition to not spooking your topic ensures that it is utterly sharp by avoiding pixel shifting. The Delay Shutter choice helps to take away the impact of hand-shake by releasing the shutter after a specified time (8, 4, 2 or 1 seconds).

The beginning-up time from turning the Lumix GH6 on to being able to take a photograph is impressively fast at lower than a second. It takes about 1/2 second to retailer a JPEG picture, permitting you to maintain taking pictures as they’re being recorded onto the reminiscence card – there is no such thing as a perceptible LCD blackout between every picture. Storing a single RAW picture takes round 1 second and does not lock up the digicam in any manner – you need to use the menu system or shoot one other picture whereas the primary file is being written to reminiscence.

The Panasonic Lumix GH6 has a very good steady taking pictures mode which allows you to take 14 frames per second utilizing the mechanical shutter with the main target and publicity locked on the first body or a a lot slower 8fps with full-time AF monitoring.

The brand new mannequin can solely shoot constantly for as much as 95 JPEGs or 65 RAW recordsdata, although, in comparison with 999 JPEG or 108 RAW recordsdata for the GH5 II.

The GH6 does additionally supply a headline grabbing 75fps mode at full 25 megapixel decision for as much as 200 JPEG or Uncooked pictures, however that is sadly restricted to AF-S mode solely utilizing the digital shutter, so it isn’t suited to sports activities and wildlife images.

The lockable taking pictures mode dial on high of the digicam helps you to select from the totally different publicity modes. The same old choice of Program, Aperture Precedence, Shutter Precedence, and Handbook can be found for the extra skilled photographers.

Moreover there are 4 customized modes, marked C1, C2, C3 and C4, which let you configure your favorite settings and rapidly entry them, Clever Auto for much less skilled customers, and the Inventive Film mode which gives entry to all the digicam’s in depth vary of video choices.

The Panasonic Lumix GH6’s vary of 8 totally different filter results, which had been denoted by an artist’s palette on the GH5’s taking pictures mode dial, at the moment are solely accessible through the principle menu system (successfully changed by the C4 mode). There are additionally 15 totally different customisable Picture Kinds which nonetheless enable full management of the digicam’s settings.




Panasonic Lumix GH6

The pink film document buttons on the highest and entrance of the digicam mean you can begin recording a film with a single push of a button after which cease recording by urgent the identical button, no matter which taking pictures mode is presently chosen. This can be a lot extra intuitive than having to pick the film mode then press the shutter button, though you may nonetheless begin/cease film recording through the GH6’s shutter button if you want.

The Inventive Film taking pictures mode, accessed through the mode dial on high of the GH6, permits you to set the shutter velocity, aperture or each settings manually throughout recording (a Program choice can be out there). Altering the shutter velocity is very appropriate for taking pictures fast-moving topics, while the power to regulate the aperture is handy when there are a number of topics within the body positioned at totally different distances.

The Panasonic Lumix GH6 has a plethora of film choices, making it one in every of, if not the, probably the most full-featured interchangeable lens cameras available on the market when it comes to video. It additionally represents an enormous step ahead in terms of video specs and efficiency, even in comparison with the already very succesful GH5 II mannequin.

The brand new Panasonic GH6 mannequin ups the ante by offering 5.7K 30p inner video recording out there in ProRes 422 HQ and ProRes 422 for the primary time within the LUMIX collection.

It additionally gives 4:2:2 10-bit Cinema 4K 60p inner recording in addition to simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI.

Different enhancements embody 4:2:0 10-bit 4K 120p (equal to 5x sluggish movement) and 4:2:2 10bit FHD 240p HFR (Excessive Body Charge) choices, plus 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the complete space of the sensor.

The LUMIX GH6 additionally accommodates V-Log/V-Gamut for the primary time within the LUMIX G Collection Micro 4 Thirds digicam line-up which gives 12+ stops of large dynamic vary, and there is a model new Dynamic Vary Increase mode which expands it to 13+ stops.

The GH6 makes use of the complete space of the sensor to document then downsamples it in-camera, which signifies that your framing will not be cropped when composing.




Panasonic Lumix GH6

The GH6 is likely one of the few cameras that is not geographically restricted, as you may select from each NTSC and PAL settings, so that you get the complete vary of body charges no matter the place you acquire the digicam.

The Focus Transition software permits you to create three focus factors, between which the GH6 robotically shifts the main target at a continuing velocity. There is a alternative of 5 totally different speeds, and you’ll select whether or not to start out the transition instantly when recording begins or add a 5 or 10 second delay.

Importantly the GH6 gives limitless video recording time in all modes by using a forced-cooling fan mechanism to fight over-heating.

Dolby-quality stereo sound is recorded throughout video seize through the inner mics on high of the digicam, which is an enormous enchancment on the fairly muffled noises recorded by most digital cameras, helped by the wind minimize perform which blocks out a lot of the noise from background wind.

You too can add the optionally available DMW-XLR1 XLR microphone adapter which attaches through the hotshoe and gives two XLR audio inputs with bodily switches and dials for altering the degrees, achieve, and low minimize filter of every enter individually.

Dwell streaming is probably the most important function that has been faraway from the brand new GH6. The GH5 M2 is able to wi-fi dwell streaming in 1080/60p at 16Mbps through the LUMIX Sync smartphone app, or by connecting on to a Wi-Fi router, however the GH6 fairly surprisingly does not help this in any respect. Perhaps it is going to be added in a future firmware replace.

On the rear of the Lumix GH6 is precisely the identical 3 inch LCD display with 100% scene protection and 1,840K dot decision as discovered on the GH5 II. The rotating, free-angle monitor, which is hinged on the left aspect of the digicam (wanting from the rear), will be flipped out and twisted by way of 270 levels.

You need to use the display as a waist-level viewfinder, holding the digicam overhead, and even for turning the GH6 on your self for arm-length self-portraits. There’s additionally the additional benefit of folding the display away in opposition to the digicam physique to guard it when saved in a digicam bag, stopping it from changing into marked or scratched.




Panasonic Lumix GH6

The 1,840K pixel display gives a wider color gamut and brightness that has been improved by 150% in comparison with the unique GH5.

The Auto Energy LCD perform robotically detects the present lighting circumstances and boosts the LCD backlighting by as much as 40% when taking pictures outdoor in brilliant sunshine, serving to to maintain the display seen. The helpful stage gauge signifies the 2 instructions of horizontal lean and entrance/rear tilt.

The Panasonic Lumix GH6 inherits the GH5’s intelligent touchscreen interface. Panasonic have correctly restricted the quantity of issues that you are able to do by interacting with the display, and certainly you may nonetheless function the whole lot on the digicam with out having to push and prod the LCD in any respect.

You’d be lacking out on numerous genuinely helpful performance, although, which actually improves the general taking pictures expertise. A intelligent function referred to as Touchpad AF permits you to transfer the main target level space together with your finger on the LCD whilst you’re wanting by way of the EVF.

Essentially the most instantly noticeable perform is the power to make use of the 1-area AF mode to focus in your principal topic just by touching it on the LCD. If the topic then strikes, the Panasonic Lumix GH6 cleverly follows it across the display utilizing the the AF monitoring perform. If the topic exits the body completely, merely recompose and faucet it once more to start out focusing. Spectacular stuff that makes specializing in off-center topics quick and intuitive.

It’s a little too straightforward to by chance press the display and set the main target level to the incorrect space for the present topic, however a easy faucet in the midst of the LCD will heart the AF level (or you may flip this function off altogether). The scale of the AF level itself can be modified through an interactive onscreen slider.

When you favor to manually focus fairly than use the quick AF system, you may enlarge any a part of the topic by 1x, 5x or 10x by merely dragging the picture across the display. The ultimate touchscreen skill from a picture composition standpoint is the power to launch the shutter, with a small icon on the proper hand display enabling this performance, after which a single on-screen faucet all that is required to take the image.

All the menu choices will be modified through the touchscreen interface, together with the Primary menu system. You too can management picture playback by touching the display, with the power to faucet a thumbnail to see the full-size model, scroll by way of your pictures by dragging them backward and forward, and magnifying them as much as 16x.




Panasonic Lumix GH6

The Panasonic GH6 has precisely the identical digital viewfinder because the GH5 II. The OLED unit has a big 1.52x (0.76x on 35mm equiv.) magnification, 100% area of view, 1000:1 distinction ratio and three,680K-dot decision, leading to one of many higher EVFs that we have used. The EVF (and likewise the principle LCD display) function at a local charge of as much as 120fps, twice as quick as the unique GH5, which helps make it flicker-free.

The Panasonic Lumix GH6 has a time lapse perform in which you’ll be able to set the time interval and the variety of pictures to take, plus a multi-exposure choice that permits you to mix as much as 4 exposures in a single body, whereas the Cease Movement Animation mode permits you to create distinctive cease movement movies. Sadly the 6K Picture modes, Publish Focus and Focus Stacking choices have all disappeared from the brand new GH6.

The Wi-Fi perform (802.11ac) helps you to use your smartphone to alter the digicam settings (focus setting, publicity compensation, ISO, WB and Picture Kinds) and even hearth the shutter button remotely (together with interval video recordings), whereas the auto switch perform robotically backs up your pictures onto a pill. You too can use GPS knowledge out of your smartphone to document the taking pictures location onto your pictures. The Bluetooth choice establishes a low-energy, everlasting connection between the digicam and a sensible machine for simpler switch of pictures.

On the rear of the Panasonic Lumix GH6, from left to proper, is a Lock Lever for locking the present controls/settings, a Playback button, Af space button which is surrounded by the AF Sort change, separate AF On button, the rear management dial, which is used for, amongst different issues, altering the aperture and shutter velocity by turning from left to proper and again once more, and a thumb-controlled joystick. That is significantly better positioned than on the GH5 and permits you to rapidly and simply choose the AF level with out taking your eyes off the topic.

Beneath are the Fast Menu, Again/Delete and Show buttons. In taking pictures mode, the Show button alternates between turning the show off, the principle digicam settings as icons, no settings in any respect, and an Information Show which exhibits the present key settings in a transparent graphical format. You possibly can moreover press the Q.Menu button after which use the navigation pad to maneuver between the onscreen choices.

The Q.Menu button gives fast entry to a lot of the principal controls, together with ISO velocity, picture dimension, picture high quality and white steadiness (there are 12 settings in whole, relying upon the taking pictures mode chosen). You possibly can nonetheless entry all of those choices from the principle menu system too.




Panasonic Lumix GH6

The Panasonic Lumix GH6 has a conventional 4-way navigation pad system with a round scroll wheel and Menu/Set button within the centre. In contrast to different G-series cameras, the 4 instructions on the d-pad do not have a selected perform, aside from to maneuver by way of and choose choices, playback pictures and so on. The round scroll wheel can even accomplish lots of the identical issues.

The principle menu system on the GH6 may be very clear and straight-forward to make use of and is accessed by urgent the Menu/Set button in the midst of the navigation pad. There are as much as 6 principal menus represented by a column of icons on the left of the display, relying on which taking pictures mode you are presently utilizing, which then present as much as 7 sub-menus every exhibiting 8 choices onscreen without delay.

On the underside of the Panasonic Lumix GH6 is a metallic tripod socket, importantly in-line with the center of the lens barrel, and the battery compartment housing the identical DMW-BLK22 battery as discovered within the GH5 II. Battery life is a most of 380 nonetheless pictures / 100 minutes of video when utilizing an SD reminiscence card or 350 pictures / 90 minutes of video when utilizing a CFexpress card.

On the proper aspect are the Distant port to be used with the optionally available distant shutter launch and the twin CFexpress card (Sort B) and UHS-II V90 SD reminiscence card slots.

On the left is the Mic socket to be used with a 3.5mm exterior microphone, and three connection ports, together with a port for exterior headphones (once more 3.5mm in dimension), USB-C port and a really welcome full-sized HDMI port for connecting the GH6 to a HD tv or monitor.

Picture High quality

All the pattern pictures on this assessment had been taken utilizing the 25M Fantastic JPEG picture dimension choice, which produces a mean picture dimension of round 12Mb.

The GH6 is the primary Panasonic Micro 4 Thirds digicam to push previous the 20 megapixel barrier, utilising a model new 25.2-megapixel Dwell MOS Sensor with no low-pass filter.

The Panasonic Lumix GH6 produced pictures of excellent high quality in the course of the assessment interval. It produces noise-free pictures at ISO 100 to 1600, with restricted noise beginning to seem at ISO 3200. ISO 6400 and 12800 exhibit fairly seen noise and lack of high-quality element, whereas the quickest setting of 25600 seems to be significantly better on paper than in actuality.

The assorted Picture Kinds and Filters mean you can rapidly and simply customise the look of the digicam’s JPEG and Uncooked pictures earlier than you’re taking them. The evening {photograph} was glorious, with the utmost shutter velocity of 60 seconds and Bulb mode of as much as half-hour permitting you to seize loads of mild.

The Excessive Decision Mode efficiently creates a lot bigger 50 or 100 megapixel pictures and will be employed when the digicam is mounted on a tripod and likewise hand-held. It is nonetheless greatest reserved to be used with non-moving topics.

Noise

There are 10 totally different ISO settings out there on the Panasonic Lumix GH6 which you’ll be able to choose at any time if the digicam is in one of many inventive taking pictures modes. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and RAW codecs.

JPEG

RAW

ISO 50 (100% Crop)

ISO 50 (100% Crop)

iso100.jpg iso100raw.jpg

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100raw.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)

iso6400.jpg iso6400raw.jpg

File High quality

The Panasonic Lumix GH6 has 2 totally different JPEG picture high quality settings out there, with Fantastic being the best high quality choice. Listed below are some 100% crops which present the standard of the assorted choices, with the file dimension proven in brackets.

Fantastic (8.2Mb) (100% Crop)

Normal (3.1Mb) (100% Crop)

quality_fine.jpg quality_normal.jpg

RAW (36.5Mb) (100% Crop)

quality_raw.jpg

Excessive Decision Mode

The Panasonic Lumix GH6’s Excessive Decision Mode combines 8 photographs right into a 100 megapixel picture to create an excellent high-resolution photograph. There’s additionally a smaller 50.5 megapixel setting. The ensuing 100MP Uncooked recordsdata are 144Mb in dimension!

Off (100% Crop)

On (100% Crop)

high_resolution_off.jpg high_resolution_mode1.jpg

Picture Kinds

Panasonic’s Picture Kinds are preset mixtures of various sharpness, distinction, saturation and noise discount settings. The 15 out there Picture Kinds are proven beneath within the following collection, which demonstrates the variations. There are additionally 4 Customized choices to be able to create your individual seems to be.

Normal

photo_styles_01.jpg

Vivid

photo_styles_02.jpg

Pure

photo_styles_03.jpg

L.ClassicNeo

photo_styles_04.jpg

Flat

photo_styles_05.jpg

Panorama

photo_styles_06.jpg

Portrait

photo_styles_07.jpg

Monochrome

photo_styles_08.jpg

L.Monochrome

photo_styles_09.jpg

L.Monochrome D

photo_styles_09.jpg

L.Monochrome S

photo_styles_09.jpg

Cinelike D2

photo_styles_09.jpg

Cinelike V2

photo_styles_09.jpg

Like709

photo_styles_09.jpg

V-Log

photo_styles_09.jpg

Filter Results

The Panasonic Lumix GH6 gives a spread of digital filter results that may be utilized to each JPEG and Uncooked recordsdata, with 8 totally different choices out there in the principle menu.

Expressive

filters_01.jpg

Retro

filters_02.jpg

Previous Days

filters_03.jpg

Excessive Key

filters_04.jpg

Low Key

filters_05.jpg

Sepia

filters_06.jpg

Cross Course of

filters_13.jpg

Bleach Bypass

filters_16.jpg

Night time

The Panasonic Lumix GH6’s most shutter velocity is 60 seconds and there is additionally a Bulb choice for exposures as much as half-hour lengthy, which is good news in the event you’re severely occupied with evening images.

The shot beneath was taken utilizing a shutter velocity of 30 seconds at ISO 100. If the Lengthy Publicity NR principal menu choice is ready to ON, the digicam takes the identical period of time once more to use noise discount, so for instance on the 15 second setting the precise publicity takes 30 seconds.

iso6400.jpg

Pattern Pictures

This can be a choice of pattern pictures from the Panasonic Lumix GH6 digicam, which had been all taken utilizing the 25.2 megapixel Fantastic JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.

Pattern RAW Pictures

The Panasonic Lumix GH6 permits customers to seize RAW and JPEG format recordsdata. We have offered some Panasonic RAW (RW2) samples so that you can obtain (thumbnail pictures proven beneath are usually not 100% consultant).

Pattern Motion pictures & Video

This can be a pattern 5.8K/25p film on the high quality setting of 5670×4320 pixels at 25 frames per second. Please notice that this 21 second film is 510Mb in dimension.

This can be a pattern 5.7K/50p film on the high quality setting of 5728×3024 pixels at 50 frames per second. Please notice that this 21 second film is 759Mb in dimension.

This can be a pattern 4.4K/50p film on the high quality setting of 4352×3264 pixels at 50 frames per second. Please notice that this 21 second film is 760Mb in dimension.

This can be a pattern C4K/100p film on the high quality setting of 4096×2160 pixels at 100 frames per second. Please notice that this 16 second film is 577Mb in dimension.

This can be a pattern C4K/50p film on the high quality setting of 4096×2160 pixels at 50 frames per second. Please notice that this 16 second film is 1.21Gb in dimension.

This can be a pattern C4K/25p film on the high quality setting of 4096×2160 pixels at 25 frames per second. Please notice that this 16 second film is 1813Mb in dimension.

This can be a pattern 4K/100p film on the high quality setting of 3840×2160 pixels at 100 frames per second. Please notice that this 15 second film is 587Mb in dimension.

This can be a pattern 4K/50p film on the high quality setting of 3840×2160 pixels at 50 frames per second. Please notice that this 15 second film is 1.17Gb in dimension.

This can be a pattern FHD/200p film on the high quality setting of 1920×1080 pixels at 200 frames per second. Please notice that this 16 second film is 421Mb in dimension.

Product Pictures

Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6
Panasonic Lumix GH6

Conclusion

The brand new Panasonic Lumix GH6 delivers nearly the whole lot that an aspiring one-man/girl videographer might ever need from a hybrid digicam.

Providing each conceivable mixture of settings underneath the solar, commendably all with limitless recording due to the combination of a heat-sink and fan, this actually is the swiss-army-knife of the mirrorless world.

The one so-called “lacking” function is 8K recording, one thing that a number of full-frame rivals now supply, however we expect that 5.7K/60p and 4K/120p recording and the plethora of different choices on supply greater than makes up for this.

Such a transparent deal with movie-making does not imply that the GH6 is much less accomodating to photographers. With a model new 25 megapixel sensor that lastly breaks the 20mp barrier and 100-megapixel handheld high-resolution taking pictures, Panasonic clearly have not forgotten the stills shooter.

It is not all excellent news, nonetheless, as a number of options from the GH5 II have utterly disappeared from this new mannequin, together with 6K/4K Picture Modes, Focus Stacking and Publish Focus, and Dwell Streaming. We do not actually know why any of those have been eliminated, or whether or not they’ll be added to the GH6 at a later date through a firmware replace – we definitely hope so.

Additionally, the GH6 is the most important and heaviest Panasonic Micro 4 Thirds digicam thus far, an unavoidable consequnce of its built-in fan – if you’d like your MFT digicam to be small and unassuming, you will have to look elsewhere.

Lastly, whereas the up to date contrast-detection AF system is quicker and extra dependable than earlier than, it nonetheless does not examine that properly to the very best phase-detect AF programs from different mirrorless digicam producers, together with the GH6’s principal MFT rival, the OM System OM-1.

Total, the a lot anticipated Panasonic GH6 has been properly well worth the wait. In comparison with 2021’s incremental GH5 II launch, the brand new GH6 represents a a lot greater step ahead, particularly for videography the place it merely has no actual competitors at its £$2000 price-point.

5 stars

Scores (out of 5)
Design 4.5
Options 5
Ease-of-use 4.5
Picture high quality 5
Worth for cash 5

Primary Rivals

Listed beneath are among the rivals of the Panasonic Lumix GH6.

The EOS R6 is the very best ever Canon mirrorless digicam – there, we stated it! If you wish to discover out why, stick with it studying our in-depth Canon EOS R6 assessment, full with full-size pattern pictures and movies.

The Nikon Z6 II mirrorless digicam is an evolutionary improve of the unique Z6, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its principal rivals? Discover out now by studying our in-depth Nikon Z6 II assessment, full with full dimension pattern pictures and movies…

The brand new OM-D E-M1 Mark III is a critical digicam for critical photographers, designed to showcase the easiest that Olympus has to supply. Within the more and more aggressive high-end digicam market, does it have what it takes to face out from the group and entice new customers in addition to fulfill current ones? Learn our Olympus OM-D E-M1 Mark III assessment to seek out out…

Panasonic have loved numerous success with the video-centric GH5 digicam, and now they’ve turned their consideration to the fanatic {and professional} stills photographer with the discharge of the thrilling new G9. Learn our in-depth Panasonic G9 assessment now to seek out out extra…

The a lot anticipated Panasonic GH6 could also be on the near-horizon, however the model new GH5 Mark II is right here proper now. What does the brand new model supply, and may it actually enhance on the best-selling authentic? We discover out in our assessment of the Panasonic Lumix GH5 II mirrorless digicam, full with pattern pictures, take a look at photographs, movies and extra…

The Panasonic Lumix GH5 is likely one of the most hotly-anticipated cameras of 2017, providing much more video choices than its widespread predecessor and severely beefed up photograph capabilities. Learn our in-depth Panasonic Lumix GH5 assessment full with with pattern pictures, take a look at photographs, movies and extra…

The Panasonic Lumix GH5S is a brand new video-centric mirrorless digicam that excels in low-light circumstances due to it is 10 megapixel sensor, newest Venus processing engine, and revolutionary Twin Native ISO know-how. Take a look at our Panasonic Lumix GH5S assessment for our full verdict…

The Panasonic S5 is a model new hybrid full-frame mirrorless digicam that is equally as succesful at taking pictures each stills and video. In an ever extra crowded market, does the Lumix S5 supply sufficient to face out in opposition to the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth assessment of the Panasonic S5 to seek out out, full with full-size pattern pictures and movies.

The Sigma fp L is a 61 megapixel, 35mm full-frame mirrorless digicam that shoots 4K/30p video. It is aimed toward each demanding film-makers and stills photographers alike, however can this 2021 replace of the unique fp mannequin actually fulfill the wants of each forms of person? Discover out out now by studying our in-depth Sigma fp L assessment, full with full-size pattern JPEG and Uncooked pictures and movies.

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst taking pictures, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digicam that you simply want. Discover out why we expect this is likely one of the greatest all-round cameras of 2021 by studying our in-depth Sony A7 IV assessment…

Sony try to show the digicam world on its head by creating a brand new 35mm full-frame digicam that is the identical dimension and weight as one with a smaller APS-C sensor. Have they succeeded with the brand new Sony A7C, and is it an awesome digicam in its personal proper? Discover out now by studying our Sony A7C assessment full with full-size pattern pictures and movies.

It has been 5 lengthy years since its widespread predecessor was launched, however now the brand new Sony A7S III full-frame mirrorless digicam is lastly with us! Is that this probably the most succesful hybrid 4K video digicam out there immediately? Discover out now by studying our in-depth Sony Alpha 7S III assessment, full with full-size pictures and movies so that you can obtain and consider…

Evaluation Roundup

Critiques of the Panasonic Lumix GH6 from across the net.

The mirrorless filmmaking world might have grow to be extra focussed on full-frame cameras since Panasonic’s GH Lumix collection emerged, however the GH6 exhibits that there’s nonetheless life within the Micro 4 Thirds sensor format. Small and light-weight however full of a exceptional array of video choices and glorious picture high quality, the GH6 additionally boasts very good dealing with and picture stabilization and maybe the very best contrast-based autofocus but seen on a Panasonic digicam. It’s a reliable stills digicam, too.

Learn the complete assessment »

Unbiased filmmakers and creatives would battle to discover a digicam with a extra complete listing of top quality recording choices. Whereas some might really feel that having a Micro 4 Thirds sensor and distinction autofocus is outdated, the GH6 holds its personal with cameras virtually twice its worth when it comes to performance and picture high quality and excels past the competitors with unbeatable in-body stabilisation.

Learn the complete assessment »

When you’re after a hybrid digicam targeted in direction of video, particularly excessive body charge 4k, the Lumix GH6 turns into one of the compelling fashions round. You get 4k 120 with no discount in high quality, inner 5.7k ProRes, limitless recording due to energetic cooling, pro-level help instruments together with waveform and vectorscope displays, full V-Log, help for anamorphic, glorious built-in stabilisation and a crafty display mechanism.

Learn the complete assessment »

Specs

TYPE

  • Sort

    • Digital Single Lens Mirrorless digicam
  • Lens mount

IMAGE SENSOR

  • Sort

    • Dwell MOS sensor (17.3 x 13.0 mm)
  • Digicam efficient pixels / Whole pixels

    • 25.21 megapixels / 26.52 megapixels
  • AR (Anti Reflection) coating

  • Facet ratio / Colour filter

    • 4:3 / Main coloration filter
  • Mud discount system

LATITUDE

  • Dynamic Vary Increase ON: 13+ stops (V-Log)
    Dynamic Vary Increase OFF: 12+ stops (V-Log)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 2.31), RAW
  • Facet ratio

  • File dimension (Pixels)

    • 4:3

      • 5776×4336(L) / 4096×3072(M) / 2944×2208(S) / 11552×8672(XL)* / 8192×6144(LL)* *Excessive Decision Mode.
    • 3:2

      • 5776×3848(L) / 4096×2728(M) / 2944×1960(S) / 11552×7696(XL)* / 8192×5464(LL)* *Excessive Decision Mode.
    • 16:9

      • 5776×3248(L) / 4096×2304(M) / 2944×1656(S) / 11552×6496(XL)* / 8192×4608(LL)* *Excessive Decision Mode.
    • 1:1

      • 4336×4336(L) / 3072×3072(M) / 2208×2208(S) / 8672×8672(XL)* / 6144×6144(LL)* *Excessive Decision Mode.
  • Picture high quality

    • RAW / RAW+Fantastic / RAW+Normal / Fantastic / Normal
  • Colour house

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes
      MP4: H.264/MPEG-4 AVC, H.265/HEVC
  • Audio format

    • MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
      MP4: AAC (2ch 48kHz/16-bit)
      *When attaching Φ3.5mm microphone or DMW-XLR1 (bought individually). **When attaching DMW-XLR1 (bought individually).
  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz
  • Picture space of video

  • MOV (*¹) (*²) *HLG is selectable.

    • 59.94Hz [5.8K] 5760×4320 (4:3)

      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 59.94Hz [4.4K] 4352×3264 (4:3)

      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 59.94Hz [C4K] 4096×2160

      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 59.94Hz [4K] 3840×2160

      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 59.94Hz [FHD] 1920×1080

      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/**
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/**
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF. **When Picture Space of Video is ready to FULL.
    • 50.00Hz [5.8K] 5760×4320 (4:3)

      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 50.00Hz [4.4K] 4352×3264 (4:3)

      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 50.00Hz [C4K] 4096×2160

      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 50.00Hz [4K] 3840×2160

      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 50.00Hz [FHD] 1920×1080

      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/**
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/**
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF. **When Picture Space of Video is ready to FULL.
    • 24.00Hz [5.8K] 5760×4320 (4:3)

      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 24.00Hz [4.4K] 4352×3264 (4:3)

      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • 24.00Hz [C4K] 4096×2160

      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 24.00Hz [4K] 3840×2160

      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
    • 24.00Hz [FHD] 1920×1080

      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Dynamic Vary Increase is ready to OFF.
  • MP4 (*¹)

    • 59.94Hz [4K] 3840×2160

      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        *HLG is selectable.
    • 59.94Hz [FHD] 1920×1080

      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 50.00Hz [4K] 3840×2160

      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        *HLG is selectable.
    • 50.00Hz [FHD] 1920×1080

      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 24.00Hz –

  • Apple ProRes (*¹) (*²)

    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 29.97p, 1.9Gbps (Apple ProRes 422 HQ) / 1.3Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 1.5Gbps (Apple ProRes 422 HQ) / 1.0Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)
    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 25.00p, 1.6Gbps (Apple ProRes 422 HQ) / 1.1Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)
    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 24.00p, 1.5Gbps (Apple ProRes 422 HQ) / 1.0Gbps (Apple ProRes 422) (H.264/MPEG-4 AVC, LPCM)

VARIABLE FRAME RATE

  • MOV (*¹) *HLG is selectable.

    • 59.94Hz [5.7K] 5728×3024 (17:9)

      • 29.97p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.
    • 59.94Hz [C4K] 4096×2160

      • 59.94p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 59.94Hz [4K] 3840×2160

      • 59.94p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 59.94Hz [FHD] 1920×1080

      • 59.94p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.
    • 50.00Hz [5.7K] 5728×3024 (17:9)

      • 25.00p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.
    • 50.00Hz [C4K] 4096×2160

      • 50.00p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 50.00Hz [4K] 3840×2160

      • 50.00p (Most output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 50.00Hz [FHD] 1920×1080

      • 50.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.
    • 24.00Hz [5.7K] 5728×3024 (17:9)

      • 24.00p (Most output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *When Picture Space of Video is ready to FULL.
    • 24.00Hz [C4K] 4096×2160

      • 24.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        24.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 24.00Hz [4K] 3840×2160

      • 24.00p (Most output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        24.00p (Most output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
    • 24.00Hz [FHD] 1920×1080

      • 24.00p (Most output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p (Most output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Most output of sensor is 60fps when Dynamic Vary Increase is ready to ON.
        *Most output of sensor is 120fps when Picture Space of Video is ready to PIXEL/PIXEL.

VIEWFINDER

  • Sort

  • Pixels

    • Approx. 3.68 million dots
  • Subject of view / Magnification

    • Approx. 100% / Approx. 1.52x / 0.76x (35mm digicam equal) with 50 mm lens at infinity; -1.0 m-1, when the side ratio is ready to 4:3
  • Eye level / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +3.0 (dpt)
  • Eye sensor

REAR MONITOR

  • Sort

    • TFT LCD monitor with static contact management
  • Monitor dimension

    • Tilt free-angle, 3.0-inch (7.6cm), 3:2 side
  • Pixels

    • Approx. 1.84 million dots
  • Subject of view

FOCUS (*³)

  • Sort

  • DFD know-how

  • Focus mode

    • AFS (Single) / AFC (Steady) / MF
  • AF mode

    • Monitoring / Full Space AF / Zone (Horizontal/Vertical) / Zone / 1-Space+ / 1-Space / Pinpoint
      *Computerized Detection will be turned ON to modify between Human/ Face/Eye/ Animal+Human. Besides when Pinpoint is ready.
  • AF detective vary

    • EV -4 – 18 (F2.0, ISO100 equal, AFS)
  • AF customized setting

    • AF Sensitivity, AF Space Switching Sensitivity, Shifting Object Prediction
  • AF help mild

  • AF lock

    • Set the Fn button in customized menu to AF lock
  • Focus ring management

    • Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Most) *When a appropriate lens is connected.
  • Others

    • AF-ON, AF-ON: Close to Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Space AF Shifting Pace, Steady AF (throughout movement image recording), Focus/Shutter Precedence, Focus Switching for Vert/Hor, AF/AE Lock Maintain, AF+MF, MF Help, MF Information, Focus Ring Lock, Present/Conceal AF Mode, Shutter AF, Half Press Shutter, Fast AF, Eye Sensor AF, Loop Focus Body, Enlarged Dwell Show (Video), Contact Shutter, Contact AF/AE Operate, Contact Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Mild metering system

    • 1,728-zone multi-pattern sensing system
  • Mild metering mode

    • A number of / Heart Weighted / Spot / Spotlight Weighted
  • Metering vary

    • EV0-18 (F2.0 lens, ISO100 equal)
  • Mode dial

    • Program AE (P) / Aperture Precedence AE (A) / Shutter Precedence AE (S) / Handbook Publicity (M) / Inventive Video (P/A/S/M)* / Customized 1, 2, 3, 4 / Clever Auto
      *The identical publicity operations as P/A/S/M mode is on the market.
  • Publicity compensation

    • 1/3 EV step ±5EV (±3EV for movement image)
  • Dynamic Vary Increase

  • ISO sensitivity (Normal output sensitivity)

    • Nonetheless picture

    • Movement image

      • [Normal]
        Dynamic Vary Increase OFF (Base ISO 100): Auto / 50 (Prolonged ISO) / 100-12800
        Dynamic Vary Increase ON (Inventive Video Mode) (Base ISO 800): Auto / 800-12800

        [V-Log]
        Dynamic Vary Increase OFF (Base ISO 250): Auto / 125 (Prolonged ISO) / 250-12800
        Dynamic Vary Increase ON (Inventive Video Mode) (Base ISO 2000): Auto / 2000-12800

        [Hybrid Log Gamma]
        Dynamic Vary Increase OFF (Base ISO 250): Auto / 250-12800
        Dynamic Vary Increase ON (Inventive Video Mode) (Base ISO 2000): Auto / 2000-12800

        *Switchable between 1/3 or 1 EV step.

  • AE lock

    • Set the Fn button in customized menu to AE lock

IMAGE STABILIZATION SYSTEM

WHITE BALANCE

  • White steadiness

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4
  • White steadiness adjustment

    • Blue/Amber bias, Magenta/Inexperienced bias
  • Colour temperature setting

SHUTTER

  • Sort

  • Shutter velocity

    • Nonetheless picture: Bulb (Max. half-hour), 1/8,000 – 60
      Digital entrance curtain shutter: Bulb (Max. half-hour), 1/2,000 – 60
      Digital shutter: Bulb (Max. 60 sec), 1/32,000 – 60
      Movement image: 1/25,000 – 1/25
      Inventive Video M mode / MF mode: 1/25,000 – 1/8
  • Self timer

    • 10sec, 3 pictures / 2sec / 10sec / Customized Time
  • Distant management

    • Distant management by DMW-RS2 (bought individually)
  • Silent mode / Shutter sort

    • Sure / Sure (Auto / Mechanical / Digital entrance curtain / Digital / Digital+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 pictures in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
  • Aperture bracket

  • Focus bracket

    • 1 to 999 pictures, focus steps will be set in 10 ranges
  • White steadiness bracket

    • 3 pictures in blue/amber axis or in magenta/inexperienced axis, coloration temperature setting

BURST SHOOTING

  • Burst velocity

    • Mechanical shutter / Digital entrance curtain shutter

      • H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Dwell View)
        M: 6 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)
        L: 2 frames/sec (AFS/MF/AFC) (with Dwell View)
    • Digital shutter

      • SH75: 75 frames/sec (AFS/MF)
        SH60: 60 frames/sec (AFS/MF)
        Sh30: 20 frames/sec (AFS/MF)
        H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Dwell View)
        M: 6 frames/sec (AFS/MF) (with Dwell View), 5 frames/sec (AFC) (with Dwell View)
        L: 2 frames/sec (AFS/MF/AFC) (with Dwell View)
  • Variety of recordable pictures

TIME LAPSE SHOT

STOP MOTION ANIMATION

FLASH

  • Flash sort

    • TTL Exterior Flash (bought individually)
  • Flash mode

    • Auto* / Auto/Pink-eye Discount* / Compelled On / Compelled On/Pink-eye Discount / Gradual Sync. / Gradual Sync./Pink-eye Discount / Compelled Off *For iA solely.
  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.
  • Flash output adjustment

  • Synchronization velocity

  • Wi-fi management

    • Sure (When utilizing DMW-FL200L / FL360L / FL580L (bought individually)), Wi-fi Channel: 1ch/2ch/3ch/4ch
  • Flash sync socket

EXTRA TELE CONVERSION

  • 2.0x (EX S), 1.4x (EX M) *Just for nonetheless picture recording.

PHOTO STYLE

  • Picture Model

    • Normal / Vivid / Pure / L. Basic Neo / Flat / Panorama / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Picture Model 1-10
  • Image adjustment

    • Distinction / Spotlight / Shadow / Saturation / Colour Tone / Hue / Filter Impact / Grain Impact / Colour Noise / Sharpness / Noise Discount / ISO / WB
      *Adjustable settings differ relying on the Picture Model mode.

FILTER

  • Expressive / Retro / Previous Days / Excessive Key / Low Key / Sepia / Cross Course of / Bleach Bypass

MOTION PICTURE FUNCTION

  • Grasp pedestal stage

  • Luminance stage

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023
  • Wave type monitor / Vectorscope

  • LUT view help

    • Supported file sorts: .vlt, .dice
      Monitor / HDMI
  • HLG view help

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
  • Anamorphic desqueeze show

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
  • Synchro scan

  • SS/Acquire operation

    • Shutter Length/ISO / Angle/ISO / Shutter Length/dB
  • Colour bars / 1kHz take a look at tone

    • Sure (SMPTE / EBU / ARIB) / Sure
  • Knee management

  • Pink REC body indicator

VERTICAL POSITION INFORMATION

  • Nonetheless picture / Movement image (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

  • REC

    • Publicity Comp. / Dynamic Vary Increase / Sensitivity / White Steadiness / Picture Model / Metering Mode / Facet Ratio / Image High quality / Image Dimension / 1 Shot Spot Metering / Lengthy Publicity NR / Min. Shutter Pace / 1 Shot RAW+JPG / Filter Impact / One Push AE / Contact AE / Publicity Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Topic / AF Customized Setting(Picture) / AF Customized Setting(Video) / Focus Limiter / Focus Limiter Vary Set / Focus Peaking / Focus Peaking Sensitivity / 1-Space AF Shifting Pace / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Close to Shift / AF-ON: Far Shift / Focus Space Set / Enlarged Dwell Show (Video) / Flash Mode / Flash Regulate. / Wi-fi Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Picture Stabilizer / Shutter Sort / Ex. Tele Conv. / Rec. File Format / Rec High quality / Rec High quality (My Listing) / Variable Body Charge / Time Code Show / Audio Info / Sound Rec Degree Disp. / Mute Sound Enter / Sound Rec Degree Adj. / Sound Rec High quality / Sound Rec Degree Limiter / 4ch Mic Enter / XLR Mic Adaptor Setting / Sound Monitoring Channel / Picture Stabilizer / E-Stabilization (Video) / Increase I.S. (Video) / Picture Space of Video / Focus Transition / Q.MENU / Rec/Playback Swap / Video Document / Video Document (Inventive Video) / LVF/Monitor Swap / Dial Operation Swap / Preview / Preview Aperture Impact / Fixed Preview / Degree Gauge / Histogram / Luminance Spot Meter / Body Marker / Picture Grid Line / Dwell View Increase / Monochrome Dwell View / Night time Mode / LVF/Monitor Disp. Set / Video-Precedence Show / Zebra Sample / LUT View Help (Monitor) / LUT View Help (HDMI) / LUT Choose / HLG View Help(Monitor) / HLG View Help (HDMI) / Sheer Overlay / I.S. Standing Scope / WFM/Vector Scope / Anamorphic Desqueeze Show / Colour Bars / Focus Ring Management/ Zoom Management / Step Zoom / Zoom Pace / Lens Info / Vacation spot Card Slot / Wi-Fi / Fan Mode / Save to Customized Mode / No Setting / Off (Disable Press and Maintain) / Restore to Default
  • PLAY

    • Enlarge from AF Level / LUT View Help (Monitor) / HLG View Help (Monitor) / Anamorphic Desqueeze Show / RAW Processing / Delete Single / Defend / Ranking 1, 2, 3, 4, 5 / Copy / Rec/Playback Swap / LVF/Monitor Swap / Video Document / Video Document (Inventive Video) / Night time Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Ship Picture (Smartphone) / LUT View Help (HDMI) / HLG View Help (HDMI) / No Setting / Off (Disable Press and Maintain) / Restore to Default

OSD LANGUAGE

  • Please discuss with “OSD” Sheet

PRINT

INTERFACE

  • USB

    • USB Sort-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
  • HDMI (*⁴)

    • HDMI

      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is ready to OFF.), 4ch (When [4ch Mic Input] is ready to ON.)
    • Monitor-through

      • 4:2:2 10bit (When [Rec Quality] is ready to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is ready to [4:2:0 8bit].)
        Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
    • Playback

      • 59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
        50.00Hz: 8K/25p* / C4K/100p** / C4K/50p / C4K/25p / 4K/100p** / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
        24.00Hz: 8K/24p* / C4K/120p** / C4K/24p / 4K/120p** / 4K/24p / 1080/120p / 1080p
        *Just for nonetheless picture playback. **Just for playback.
  • Distant enter

  • Audio

    • Construct-in microphone

      • Stereo
        Wind Noise Canceller: OFF / Normal / Excessive
    • Exterior microphone / Exterior audio machine enter

      • φ3.5mm for exterior microphone / exterior audio machine
        MIC (Plug-in Energy) / MIC / LINE
        Wind Lower: OFF / Low / Normal / Excessive *When attaching DMW-MS2 (bought individually).
        Particular Mic: Stereo / Shotgun *When attaching DMW-MS2 (bought individually).
    • XLR microphone

      • Sure with DMW-XLR1 (bought individually)
    • 4ch mic enter

      • Sure with DMW-XLR1 (bought individually)
    • Speaker

    • Headphone output

  • Card slot

    • Slot 1: CFexpress Card (CFexpress Sort B)
      Slot 2: SD Reminiscence Card / SDHC Reminiscence Card* / SDXC Reminiscence Card*
      *Suitable with UHS-I/UHS-II UHS Pace Class 3 commonplace SDHC/SDXC Reminiscence Playing cards and UHS-II Video Pace Class 90 commonplace SDXC Reminiscence Playing cards.

TC IN/OUT

  • TC IN/OUT

    • Sure with BNC Converter Cable (bundled)
  • Rely up

  • Time code mode

    • Drop Body / Non-Drop Body (When system frequency [59.94Hz] is chosen.)
  • HDMI time code output

  • Exterior TC setting

    • TC Synchronization / TC Output Reference

FAN

  • Auto1 / Auto2 / Quick / Regular / Gradual / OFF* *OFF will be set when in iA/P/A/S/M mode.

LAMP

  • Tally Lamp (entrance/rear) / Card Entry Mild / Energy Indicator / Charging Mild/Community Connection Mild

WIRELESS

  • Wi-Fi

    • 2.4GHz (STA/AP) (IEEE802.11b/g/n)
      5GHz (STA) (IEEE 802.11a/n/ac)
      Safety: WPA/WPA2/WPA3
      Please discuss with “Wi-Fi” sheet
  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Vitality (BLE))

DUST AND SPLASH RESISTANT*

  • Sure.
    *Mud and Splash Resistant doesn’t assure that harm is not going to happen if this digicam is subjected to direct contact with mud and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB energy provide, USB energy charging, USB energy supply
  • Battery life (CIPA commonplace)

    • When utilizing CFexpress Card

      • Approx. 330 pictures, 750 pictures (Energy Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 350 pictures, 800 pictures (Energy Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Utilizing a Lexar CFexpress Sort B card. Below the take a look at circumstances specified by Panasonic primarily based on CIPA commonplace. When the time to get within the sleep mode is ready to 1 sec.
    • When utilizing SD reminiscence card

      • Approx. 360 pictures, 850 pictures (Energy Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 380 pictures, 900 pictures (Energy Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Utilizing a Panasonic SDXC reminiscence card. Below the take a look at circumstances specified by Panasonic primarily based on CIPA commonplace. When the time to get within the sleep mode is ready to 1 sec.
  • Steady recordable time (Movement image) (*¹)

    • When utilizing CFexpress Card

      • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    • When utilizing SD reminiscence card

      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
  • Precise recordable time (Movement image) (*¹)

    • When utilizing CFexpress Card

      • MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    • When utilizing SD reminiscence card

      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions)
  • Weight

    • Approx. 823g / 1.81 lb (SD Reminiscence Card x 1, Battery, Physique)
      Approx. 739g / 1.63 lb (Physique solely)

OPERATING ENVIRONMENT

  • Working temperature (*⁵)

    • -10°C to 40°C (14°F to 104°F)
  • Working humidity

STANDARD ACCESSORIES

Notice

  • (*1) About movement image recording

    – The playing cards that can be utilized for recording differ relying on the movement footage bit charge and format sort.
    Movement footage with 72Mbp or much less: CFexpress card, SD reminiscence card with SD Pace Class with Class 10 or Video Pace Class 10 or greater
    Movement footage with 200Mbp or much less: CFexpress card, SD reminiscence card with UHS-I / UHS-II UHS Pace Class 3 (U3) or Video Pace Class 30 or greater
    Movement footage with 400Mbp or much less: CFexpress card, SD reminiscence card with Video Pace Class 60 or greater
    Movement footage with 600Mbp or much less: CFexpress card, SD reminiscence card with Video Pace Class 90
    Movement footage with 800Mbp or extra, variable body charge with ALL-Intra, or Apple ProRes: CFexpress card

    – A brand new file will probably be created to proceed recording if the continual recording time exceeds the next circumstances.
    Movement footage with lower than 72Mbps: half-hour
    Movement footage with 72Mbp or extra: the utmost file dimension is 4 GB

    – A brand new file will probably be created to proceed recording if the file dimension exceeds the next circumstances.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or much less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    – 4:2:2 10-bit recording is a recording mode for movie manufacturing and the video must be processed on PC. The unique video can’t be performed on commonplace TV, Blu-ray Disc™ recorder and Blu-ray Disc™ participant. It might trigger issues similar to freezing when performed on these units.

    – When the ambient temperature is excessive or steady recording is carried out, the digicam might cease the recording to guard itself. Wait till the digicam cools down.

    (*2) Excessive-res audio is selectable solely when attaching Φ3.5mm microphone or DMW-XLR1 (bought individually).
    (*3) About AF
    – Steady AF shouldn’t be out there for Excessive Body Charge video taking pictures above 120p (200p or 240p). Will probably be the AFS operation for 1-Space AF. 200p Excessive Body Charge video taking pictures requires a firmware replace for the appropriate lens.
    – Computerized Detection shouldn’t be out there for Excessive Body Charge video taking pictures above 60p (100p or 120p).
    – Monitoring and Computerized Detection are usually not out there when utilizing HDMI cable or USB connection cable for Excessive Body Charge video taking pictures (100p or 120p) above 60p.

    (*4) To output movement footage with 4K or greater,use an Extremely Excessive Pace HDMI cable (Sort A–Sort A plug, as much as 1.5 m (4.9 toes) lengthy).

    (*5) The digicam might cease recording when utilized in decrease or greater than advisable working temperature: -10 to 40 levels.

Your Feedback

RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Most Popular

Recent Comments